Picture this: a storybook forest
With trees that lean to either side
As you enter, as if to frame
Your entrance. As you enter the forest,
Your footsteps leave dark
Inkblots behind you.
A robin perches on a branch.
You know it’s a robin even though
Its silhouette is black on white
With no hint of paint or color.

In the wood sparkles
A gingerbread cottage, all shingles
And angles, comfort from
The cold, fire in a hearth
And smoke in the chimney.
When you first stepped onto
The white page of snow, you
Had no inkling there was a cottage
But all the pointed firs,
Sketched or carved with
An eye to perspective,
Arranged to draw you in.
Each successively smaller tree
Enticed you forward like the dog-eared
Pages of a treasured fairy tale,
Coaxing you onward.

How lovely to enter the cottage
With gingerbread sparkles.
But after tea, you took broom and mop
In hand, and swept and mopped
And churned butter (after milking
A decidedly black and white cow).
When you kneaded bread
For the mistress of the cottage,
Little lumps of dough
Collected in your palms and knuckles.
Day’s work done, mittened fingers carried home
Precious dough to seven children –

Seven children named for
The seven days in your week.
So you boiled water and
Dropped dough in steaming broth,
Dumpling stew for your
Dimpled babies who grew
Despite hardship and hunger.

When your mistress chanced
To see your children, she called out:
“How do you manage to fatten
Them so like chipmunks
Feasting on the bounty of the
Forest?” Then your mistress
Cried: “Let me see your palms!
I see you’ve been snitching,
Taking what is mine.” So you
Kneaded her bread one last time,
Set it to rise, washed your hands,
And set out from that cottage—
All angles and shingles and
Coated with icicles.

The black trees caught at you and
Clawed you with thorns.
The cold wind bit you, but you
Saw inkblots in the snow
And retraced your steps,
Telling your children—
The seven days of the week:
“I remember a land where the sun rises—
Effortlessly as a child turning a page—
Each day fresh with promise.
I can abandon this forest
Of black bark and white snow
For a land where sun warms like a fire,
Awakening bud and fruit.
Goodbye, black bark and white snow.
Welcome now red apple,
Yellow pear, huckleberry blue.”

I will be a compass rose.
I will be Orpheus, the singer.
I will be Harriet Tubman,
acquainted with the night.
I will be Sojourner Truth.
I will not lie.

I will be a vine
growing toward the light.
I will be the eye
of the potato,
sprouting legs and arms
to carry on towards the light.

I will be the color purple.
I will be sunrise and sunset
and the thunderstorm in between.
I will be hope.
I will serve and empower.
I will not protect.

I will be the oak,
casting off her mighty acorns …
May they roll towards the light.

I will be the eye
of the camera,
the lens that takes in light
and transforms light waves
into an image,
waves now stilled.

I will be an arm
to ply the river;
my pencil, a rudder
to steer past sirens.

I will be the bend
in the road;
time does not fly
straight as an arrow.

I will be a sounding wall,
silent until you call;
your voice, a gift
I return to you,
an echo
to steer home by.

I will take what you give me
and I will give it back
a thousand times over.
I will be an acorn
who multiplies the seed.

I will be a compass rose.
Move me and I will
spin in your hand
back towards “go,”
my needle singleminded
as a flock of geese or cranes,
restless, until they rest in you.

I will be the wing
that muscles the storm,
curving like time,
slope of weathered rock.

I will be the eye
of the sewing needle,
stitching ten thousand miles
and yet never leaving your hand.
I will be a hand opened,
a pen uncapped.
I will be Augustine’s heart and quill—
restless, until I rest in you.

We all hunger for sweetness
like the hummingbird
in early spring
who attacked
the twining end of a red Twizzler;
then, seeing my hand (balled like
a fist) around the other end,
darted off as suddenly as
he had appeared.